Moments Out Of Time In Lisboa

2012. Just 4 years after the economic crisis that crossed the Atlantic Ocean and hit Portugal like a tsunami. We could feel its effect in the streets : poverty was in the air, tramps on the ground and people hustlin' to survive. And those anticapitalist messages on the walls. That was the present at this time, but Lisboa is a city where past, present and future are flatmates with deep social relations. 

The past, first. Represented by those old decaying houses made of broken windows and walls falling on the floor piece by piece. They are truly beautiful, not yet eaten by gentrification (basically when rich people come to live in a poor neighbourhood chasing its inhabitants away by making the rent much more expensive). Nothing sadder than a street that lost its soul. Where art, culture and life left for modern aseptic buildings. I mean those "too perfect" and boring urban area that can be very easily duplicated in every country. The pictures below don't belong to that category. They are showing half-destroyed houses full of (hi)story(ies) that left scars of wisdom on them. They are the open book of what happened to those streets and its people. They are genuine work of art. The time beeing the artist.  The first one gave a tree a frame, like a painting. Almost like the wall itself is honouring the cypress. On the third and fourth one, the time painted beautiful structure on the wall. I must admit I have a great passion for old ordinary walls. I can't help taking picture when I see some interesting one.

Then, those thousands of small streets that bridge the gap between the past and the present. They are one the many reasons I love cities like Napoli, Lisboa, Firenze or Cusco. I can spent hours walking through them aimeless until my feets reminds me I've been walking way too much. They are openair daily theatres where life plays its comedy and tragedy. Or simply its routine. They are full of surprises and unexpected events or encounters. They create human warmth and identity.

The present then. Never really there, Always gone. Pictures used to make what reality can't : freeze the time. Capture the reality as it is at a certain moment of time. The city as seen from a tower through a fence. Or an absurd surrealistic message on human condition.

And finally the future, or best said : the past vision of the future as it could be. The modern "Parque das Naçoes" has been built in a former industrial area for 1998 Lisbon World Exposition. This ain't ugly at all, but it's an explicit exemple of soulless asceptic neighbourhood. The picture below, perfectly illustrate the beauty and the emptyness of this modern place. A place built for itself, not really for human being. 

Just passing through

These ones are different than my usual style : a character with two big black eyes and no mouth or nose in front of colorful backgrounds, expressing emotions. The first one looks scared or imprisoned. Or maybe he's just putting his (her? its?) hand on the air, a cop aiming a gun at him. The backgrounds seems to be frozen or cloudy. The second one is acting like a kid saying "I'm innocent". He's sitting in front of texts in spanish. The third one is just sad. Around him : chacanas (the Inca cross representing the three worlds). The last one is sleeping on green vegetables like leeks (don't look for any meaning...there isn't any).

Somewhere in Chile...

2012. My third trip to Latin America. After staying a few weeks in Peru, from Trujillo to Cusco, I flied to Chile. At first, I visited its capitale Santiago de Chile where I took the first picture. Graffitis are people's newspaper. People's spokersperson. Democracy expressing itself. For the best and the worst. 

The picture with the eye have been taken in Neruda's house called "La Chascona". I didn't know that great Chilean poet until I met Dagoberto in my hostel. He was speaking about music with another guest. As a music lover, I couldn't help from starting speaking with him. Then, he offered me to show me his hometown.  After a few minutes I realised that this guy loves so much and knows so well his city that he could be renamed Santiago. After wandering in a traditionnal art market, speaking with nearly everybody we saw in the street and eating great local food, we went to see Neruda's home from outside. The day after, I went to visit it from inside. That's where I took the picture with the eye. I bought there a book with Neruda's poems that remains till this day one of my bedside book. I don't really agree with his political ideas, but his poetry is one of the most beautiful ever written. By the way the movie inspired by his life is a must-see.

The last pictures have been taken in Valparaiso, a city standing on the Pacific Ocean. While I was in Peru, two years before, I saw that great biopic about el Che Guevara (Diarios de Bicicleta). During his trip through Latin America, el Che makes a stop in Valparaiso. When I saw this colourful city - like a bridge between the hills where she has been built and the Pacific Ocean - I suddenly felt the urge to visit it...what I did hardly two years later. Nowadays, Valparaiso is also very famous for its fantastic street art. Inti beeing one of the most famous and gifted street artist that decorated it. An then this strange message on a wall I like but I've never got to really understand.

In 2014, two years after my trip to Chile, I've found on internet a very intersting and colourful picture of a Chilean traditional feast that inspired me so much that I suddenly made two paintings. The second one isn't finished. Maybe I'll do it one day, maybe not.

A Sicilian Summer

Since I visited Sicily, in 2002, I've been fascinated by this Italien region. In the first place because it's an island. As I long as I remember, islands have always had a big attraction to me. They are like oasis in the middle of oceans, seas or lakes. They are planets on their own, surrounded by water. Islands are both open doors to places the sea makes as infinite as our imagination enable it and closed universes bounded by walls made of water. Then, because Sicily is a crossroad and crossroads are always thrilling spaces. By its central position in the Mediterannean Sea, Sicily played a very important role in European history. Many civilizations and cultures met, made wars and traded goods there. This heritage gave Sicily its very particular identity and left many historical ruins as testimony of the past. Sicily wouldn't be Sicily without its volcanos, the most famous being the Etna and the Stromboli. They dominate this island as living gods, giving it very fertile soils, but also menacing it regularly. To see red-orange lava coming from those two giants in the middle of very dark nights was certainly one of the most beautiful and terrifying things I've ever experienced. Creation and destruction. Finally there is this Sicilian food made of fresh fishes, local lemons, pastas and vegetables, eatan during those unforgettable meals that last for hours. In Sicily, more than in any southern countries, the meals are a social acts. Food, wine and family are deeply bounded, creating this unique warm atmosphere we can only experience there. 

The pictures below have been taken during my 3rd trip to Sicily in 2011. On the two first pictures we can see Falcone, a small village in the North where I stayed at a friend's holiday home in which I slept between unforgettable endless meals with her Sicilian familly. The second picture remind us how present is the catholic religion in Italy, especially in the South. Then we are heading to the very center of Sicily. It's Enna, a small town standing on a mountain and its breathtaking view on dry landscape. Our point of arrival is the extreme South with Agrigente and its antic ruins. When we were there, an artist was exposing its wonderful sculptures of human being, creating a bridge between Antics times and modernity.

Creatures of colours

On the menu today : three strange (but colourful) creatures. The first one has been inspired by african masks. It looks like a genius coming out of the bottle with its blurred facial features and the colours behind that look like smoke appearing at the same time as the face. The second one is a totem with feathers (or leaves?) on its head and a snail on its right shoulder. The sun above it and the open hands make it very welcoming. It could be the representation of an animist imaginary culture's god. Maybe the god of the nature (sun + leaves + animal + rock-like face) or something else. Both seems to be caring and kind characters. The third one is even more mysterious with its third eye, turquoise skin, round body and two different big hands. It seems to be a wise and clever creature trying to communicate us something with its two fingers. This time, the sun is on the right side. Golden skies looks like they are eating dark clouds, giving the whole painting a positive feeling.

Ticino – A trip to the Italian part of Switzerland (part II)

On the first article about Ticino - the Italian part of Switzerland - I commented collages I made out of pictures I took during my trip there. Here are some of the original pictures I used for those collage, plus a few other one. I modified them with a basic computer programme. The first one has been taken at the top of San Salvatore Mount in Lugano. Its blue colour gives it both an old-school feeling and a dreamy-one. It's almost like the blue of the lake and the sky this day invaded the whole picture. The second one is a view from the top of Lugano. The framing is very particular. It gives the sky a lot of importance, as the main element of this picture. The light and its unsharpness make it ethereal and dreamlike. The mountains and the church tower seem to be like bridges between the earth and the sky. The 3rd one is the castle of Belinzona. The black and white reinforces the impression that this castle is ageless, traveling through the time wise as an old tree. The 4rd one is a small chapel like we see thousands in Ticino. It looks like a 60's picture. The two last pictures are kind of psychedelic, like most of my painting. It's an ode to dreams and creativity.

Flying Dog In The Swiss Alps

This painting belongs to the category of paintings I’m not sure I really like. Some days I do, some others I don’t.

For this one, I try new things, new styles. It’s very important for me to regularly try to reinvent one’s art, even if sometimes the resultat isn’t really convincing. I’m quite easily bored, so I need constantly to try and live new things. I’m not really used to paint lanscapes, but when I saw a great picture of the Swiss Alps with this tiny white dog walking on this small path in the middle of very green grass and huge mountains, I had to rush on my paintbrushes to create something out of it.

This painting isn’t technically perfect, at all. It makes me think of the naive art of Rousseau (I’m not comparing myself to this legendary French painter…ok?). Being used to create drawings with thousands of details, it sometimes hard for me to decide not to add too many details on my paintings. For this one, I succeeded in my mission : the colours structures are very simple. The sky is made of a pure homogeneous blue colour. The dark mountain is a big shape without any details. Even the dog look like a white peanut or a sheep without legs, tail or ears. Being so minimalist means for me a big struggle against my inclination to do too much.

What I like the most about this painting is its strangeness. The dogs with its weird shadow looks like he is flying over the path. We don’t really  know what he’s doing there alone in the middle of moutains. Maybe its owner is following him. Maybe he’s guarding sheeps. We don’t really know…and I love it. The spectator is free to interpret its meaning, to narrate its story…or simply to admire (or hate it) without looking for any meanings. Yeah I think art doesn‘t always need to have meaning, sometimes it’s purely aestethic.